My research-based art practice is twofold: either in community knowledge-sharing projects or white cube installative shows I deal with the feminist critique of technoscientific imaginaries.
I apply a broad spectrum of visuality, my main tool is analyzing and creating aesthetic experiences via filtering and rearranging the knowledge that I have raised through interdisciplinary research: such as reading social and natural scientifc studies and volumes, interviewing researchers, making field trips, collaborating with researchers and artists, curating and creating exhibitions etc. I have organised open field trips to natural locations, to raise a bodily experience as a medium to elaborate an ecocritical approach to what human’s relation to nature is, unravelling how a landscape merges into a culturally constructed image. I published a study about the 2 year long project titled Beyond the Postcard: an Ecocritical Inquiry on Images of Nature. In my last solo exhibition, Ridge of Doom, I dealt with how humans manage the non-human world through technology, focusing on extractivism and fossil fuel dependency, all in the shadow of an apocalyptic sublime aesthetics. In my upcoming doctorate dissertation, I question geoengineering and technooptimism as yet speculative solutions for the climate and ecological crisis from a feminist perspective, analyzing how these techno-fixes are means of an accelerating patriarchy and capitalism.