Mentors of this year's edition of WHW Akademija, independent curator Aude Christel Mgba, researcher and educator Pablo Martínez, and Emily Pethick, director of the Rijksakademie van beeldende kunsten in Amsterdam, spoke about institutional and non-institutional education, the educational role of museums and the impact of the pandemic on knowledge sharing. (article available in Croatian)

On the occasion of Želimir Žilnik's Viennese exhibition, Ana Dević talks about Žilnik's importance for contemporary art, but also about the WHW Academy and the Gallery Nova in Zagreb. (article available in Croatian)

Comprehensive text about WHW Akademija written by independent scholar, writer and curator Ivana Bago.

Ana Dević, one of the curators of the What, How & for Whom collective, talks about the WHW Academy, the final exhibition of the second generation, but also about working in one of the most prestigious cultural institutions in the world. (article available in Croatian)

Theo Prodromidis talks about various modes of organizing around solidarity, the importance of art(ists) in nonformal education, and links between care and citizenship.

Unabashed by the lockdown, young Russian artist Ekaterina Muromtseva has turned her balcony into a gallery, where she stages exhibitions that only birds can see.

As the coronavirus pandemic changes everyday life in Croatia dramatically, two artists have incorporated those challenges into their artwork, turning the limitations imposed on them into a source of inspiration.

Curator Adam Szymczyk talks about his professional path and challenges, non-formal education and potential of contemporary exhibition concepts.