Working across moving images, text and installations, my work often addresses aspects of how our visual and corporeal economy is subjected to forms of affective and political subjugation and alienation. My artistic research is drawn to topics that come from the intersection between the technologies of vision, the spatial configuration of the gaze and the body. I understand technologies of vision and visualization, as material and discursive apparatuses, that shape the contours of our political, cultural, and intimate landscape, thus intervening into the ways we think, feel, move, orient, and ultimately act.

In engaging with the cultural biases and potentials of the body and its vision, my work often plays with notions that escape fixed gender realities, subjectivity, identity, ways of relation with the other, representation and orientation. I formulate them as speculative and docu-fictional amalgams, alter egos, entities, surfaces, and angles of looking.

Having a practice that draws from the experience of time-based media, methodologically I approach images as haptic agents of affective mediations between bodies and spaces of belonging. In doing so, I deploy various analog and digital image making procedures, from collecting, appropriating, performing alongside images, texts, sound and objects. In my practice, I integrate various mediums and experimental formats, such as audiovisual essays, artists books and hybrid installations through which my work embodies human, nonhuman or more than human subjectivities and perspectives.

In my recent work, whilst engaging with the operationality and materiality of the contemporary screen, I am looking into the interconnection between affective nuances of belonging and image making practices such as concealment, masking, and orientation. By tending to my corporeal, cultural and geographical location, I am looking at the possibilities of time-based art as a tool for ecological and critical engagement with the gendered and nature-culture visual categories, inherent to patriarchal and anthropocentric visual narratives, in the face of the precarious futures and environmental crises.

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