1. What do you think about contemporary art?
Well, contemporary photography is already a wide field, or video, so contemporary art is an extra, extra wide territory.  

2. Please describe your practice.
By using a diverse array of methodologies and media to deal with and against what is regarded as 'common knowledge', my practice is centered on ideas of the constructed nature of social and cultural norms. Issues that occupied me during my social studies stayed central in the time I received a master in photography and during my art practice, but what changed are the means to deal with them. They stepped out of scientific statistical reasoning. I'm interested in exploring the diversity of the human living conditions and processes of their legitimization, and how different groups at different time establish certain mechanisms to organize the life of the other members of the group. Having this in mind, my works are explorations and manifestations of alternative responses to discipline and obedience on the micro-level. This is what I assembled with the help of reading other artists statements.

3. Do you think that the titles of your work tell something about your practice in the whole?
I never thought about that. It's like: Rehearsing family; Changing conditions, changing minds; New school; Happy birthday; Imitating Marta; Push up; Exploring environment 2; It's so calm, no one around…

4. Is it healthy to be an artist?
An artist however may resort to everything in the pursuit of inquiries that are not bound by skills. Unless we want to build a society of unaware slaves, no good reason can justify the allocation of this freedom to the few chosen individuals called artists.This is the quote from Luis Camnitzer's text Through art and around it, that was published in the exhibition catalog Really useful knowledge.

5. What is the difference between art-making and being on vacation?
I think that the perception that's being shaped through art-making remains also during the holidays, but in the end there is no shaped outcome, no stimulus to trigger a public communication.

6. Do you love animals?
Hm, I don't know any animal very personally, so I don't know how to answer. But I would like that I know animals, that condition of the social system in which I live introduce more, hm, making connections with non-human species. But not so much with pets, who are here because we domesticated them, but to know people that know another kind of animals. I'm not going to get better at explaining this.

7. Could you share an advice to young artists?
To walk and to speak out loud to themselves while they are walking. And the walk should be somewhere where they wouldn't encounter people they know. The fewer people and cars on the walk, the better.