In my practice, I explore issues related to disappearance, memory, identity, water and its  spirituality, remains, shamanism, cryptography, and the transformation of matter by social and climatic disruption. I explore the resurgence of ancestral and spiritual practices in a  decaying world. My performances act as a form of repair, reconnecting the body with water, stars, plants, and immemorial time, as well as exploring pain and freedom. The  hidden dimension of the depths of water fascinates me and leads me to explore invisible  and ancient worlds in an attempt to communicate with and through them. In water and  rivers, I find the ability to bring to the surface hidden memories and signs, buried voices  and water spirits.

In 2003, the summer of the French heat wave, a river dried up. As the water level dropped  considerably, I was suddenly able to see a multitude of wastes that had previously been  hidden beneath the water: washing machine drums, boots, all kinds of garbage stuck in  the mud. An anthropocene landscape was revealed. Being marked by this event, in 2017 I  began using cement to sink materials that are supposed to rise to the surface, such as polystyrene, plastic or objects, with a particular interest in objects and materials rejected into nature by the society. Here, these elements are trapped in the cement's hold and thus  forced to remain at the bottom of the water. Through this sculptural process, I continue to  produce pieces that have become psychic and memorial anchors for me. Chandeliers are recurrent in my work. For me, they are witness objects, with strong emotional charge, they sometimes traverse several generations. Agglomerating chandeliers in my anchors is a way of communicating with the aquatic depths, spaces normally deprived of light, and of sending light into the depths in a poetic way bringing to light our deepest and most unconscious memories.  

This territory of research leads me to work on the alteration of matter by climate change,  the process of petrification and disappearance, the preservation of memories, the  evolution of sedimentation, and the duality between the revealed and the occult.  My paintings are always inspired by ancient texts and writings of humanity, which are for me major universal pictorial references. Ancient drawings inspire me deeply, leading me back to immemorial times when humans had a different relationship with nature, plants, the stars and the soul. Through this work, i try to embody a disproportionate cartography that opposes the classical organization of territorial control and thought, and deploys a different representation of the world, a poetic and perpetual deconstruction of the past.

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