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Farah Hasanbegović is a filmmaker and curator from Sarajevo, working at the intersection of animated non-fiction and audio-visual performance. Starting from their own experience growing up in post-war Sarajevo, Farah’s works inhabit the unique emotional space of social and economic transition at the fault line of the polycentric world, and explore poetic audiovisual approaches to fighting despair. 

Farah draws on a strong connection to their childhood to create whimsical personal works that question the borders of private and civic identity. Farah's films have screened in competitions at Visions du Reel, Ji.hlava International Documentary Film Festival, Doclisboa, Zagrebdox and Sarajevo Film Festival, and have qualified for the Academy Awards. They have developed commissions for UN Women and the Rosa Luxembourg Foundation. 

Farah is an alumnus of Bela Tarr’s film.factory, a Doc Nomads Erasmus Mundus Scholar, a finalist for the Zvono Young Visual Artist Award. They were a 2023/2024 Programmer of the Future at Amsterdam’s Eye Filmmuseum. 

Artist’s Webpage.

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1. CLEAN UP, Animated Documentary Short, 2 min, 2025, Bosnia and Herzegovina; 2. – 3. WASTEOCENE, Animated Documentary Short, 2 min, 2024, Bosnia and Herzegovina, Netherlands; 4. – 5. RIBS, Animated Documentary Short, 8 min, 2022, Bosnia and Herzegovina, Hungary, Portugal, Belgium; 6. – 8. Illustrations for THIS ISN’T THE FUTURE I ORDERED: A film programme against despair, Film Program, Curated for the EYE Filmmuseum (Amsterdam); 9. RAISED IN THE INSTITUTION OF DREAMING, Expanded Cinema Performance, Director: Farah Hasanbegović, Taymour Boulos, 60 min, 2024, Bosnia and Herzegovina, Lebanon, Netherlands; 10. – 11. POETRY IN AN EXPANDED FIELD, Expanded film exhibition, 2023, Presented at KRAK Contemporary Art Center (Bihać) and Manifesto Gallery (Sarajevo); 12. – 13. FIRST BIRTHDAY AFTER THE APOCALYPSE, Animated Documentary Short, 6 min, 2020, Bosnia and Herzegovina, Hungary, Portugal, Belgium; 14. Works in progress
Artist statement

Despair is the prevailing sense of the impossibility of change, future-less-ness, the absence of an undo button, the sensation of the floor of the elevator shaft falling out from under your feet, the Second You that is watching yourself laugh and not laughing along.

It is the nagging sensation that even in heaven everything looks unbelievably cheap.

Despair can be inherited through the body and via the soul, and can be inflicted on others through chance, circumstance, or deliberate violent action. It is a lack of agency at scale against injustice anywhere, the theft of vitality and diversity for capital gain.

Despair affects the human and the more-than-human and it commandeers the ‘inanimate’ in service of destruction and division.

It is The Way the World Is.

We, who have inherited the memory of freedom, reject this.

We, who were raised in the institution of dreaming, have the conscious duty of hope.

We know that the cycles of history will continue to draw themselves, and that our interests lie outside of them.

We believe that reality is still filled with the fragments of evidence of the promise of freedom and the materials to build the world right.

To assemble a life thickened with dignity, meaning, and intention.

We will lay these fragments of the secret end to end, a secret with a beautiful name, a secret called happiness.

Stray phrasing borrowed from Terry Pratchett, Cameron Awkward-Rich, Chris the Magic Marker, Alain Resnais, and my mother.

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