I consider knowledge production and dissemination to be a fundamental part of my work. Drawing from my experience as a cultural mediator and tour guide, I question hierarchical methods in order to seek more horizontal and participatory approaches - the only way knowledge can truly serve as an emancipatory tool. 

My work often deals with issues of commodification and the role of the consumer - a topic that became especially urgent to me while living in New Belgrade, where the urban fabric is shaped by neoliberal and extractivist forces that stand in stark contrast to the socialist heritage and ideals on which the city was built. I use public space as a site of research, action, and contestation, and explore the role political imagination plays in negotiating our lived realities. Political imagination, understood as the ability to imagine otherwise, has become a vital tool for surviving what many describe as a period of corrupted collective imagination. Through my ongoing research, I explore the ideas of radical democracy, antagonism, and the commons as tools for speculating on futures to come.

The mediums I use vary both depending on material conditions and questions of accessibility. I mainly work with participatory formats, delegated performance, text, sound, installation, and formats such as workshops and lecture-performances. Collaboration is a particularly important aspect of my work, especially between artistic and non-artistic positions.