My work orbits around queer world-building, speculative resistance, and the emotional architectures that hold us together. I move across film, installation, sound, text, and performance - often overlapping rather than separate - guided by a neurodivergent lens that resists linearity, embraces contradiction, and seeks out alternate forms of storytelling.

At the heart of my process is a blending of academic research and emotional intuition: theory meets social media scrolls, personal memory meets archival discovery. I often start from things that feel small or scattered - something I saw on Instagram, a meme, a line in a book, a protest sign, a memory, a TikTok - and build outward into layered narratives that merge the everyday with the mythic. I piece together theory, lived experience, speculative fiction, and pop culture to construct something that holds both truth and fantasy.

Pop-cultural archetypes and outlaws act as recurring companions; not only the witch or the cowboy, but also knights, pirates, fairies, monsters, rats, clowns, saints... I’m interested in how these figures can be reclaimed, re-scripted, and inhabited anew; how they can carry queer and trans futures on their backs.

My aesthetic language leans into the theatrical: heightened, textured, emotionally saturated. I’m drawn to formats that allow for rupture and exaggeration. Spectacle and softness co-exist. Song-like structures and dreamlike pacing shape many of my works, offering alternatives to dominant historical narratives and conventional plot arcs. I’m more interested in moods, echoes, and repetition than in resolution. Things that feel like a memory, a dream, or a feeling you can’t explain.

Rather than clean narratives, I aim to create atmospheres, emotional landscapes, and alternate timelines. I think of my work as a form of resistance: against erasure, against linearity, against the demand to explain oneself. I want to build spaces where different temporalities and bodies can exist, spaces for collective care, rage, joy, softness, grief. Spaces where queer and trans people aren’t just surviving, but scheming, loving, joking, dreaming.

Autistic perception, with its intensity, sensitivity, and unique sense of time, is foundational to how I experience and make work. I see this not as a limitation, but as a tool – a way of sensing patterns and dissonance, of building archives that feel, sing, resist. Through character creation, visual language, and emotionally charged environments, I construct spaces of care, rebellion, and transformation. These are sites where identities slip and shimmer, where the past is reimagined, and where strange, defiant, collective joy becomes its own form of resistance. The joy of being an outlaw.