Working with language and images as both material and metaphor, I explore the friction between speech and silence, between testimony and erasure. My practice is rooted in an inquiry into the politics of voice: who is allowed to speak, who is spoken for, and whose voice is systematically ignored or distorted. I am particularly interested in how language shapes our perception of reality, how it is weaponized to uphold structures of power, and how it can be reclaimed as a tool of resistance.

I began my artistic practice in photography, drawn to its capacity to hold memory within a single frame. Over time, I moved toward moving images and sound as a way to more fully engage with the unfolding of time, the instability of perception, and the presence of voice. This shift allowed me to explore not only what is seen or heard, but also what is omitted—how absence, distortion, and silence can become powerful narrative elements.

I am particularly drawn to the interplay between image and sound—their emotional weight, their temporal rhythm, and their potential to disrupt. With all their vulnerability and force, they can serve as mediums of resistance and connection. My works seek to make perceptible what often remains unheard or unseen, tracing the echoes of silenced narratives and the transformative power of expression.