Why do we produce art when the end of the world is already happening? What images would foster de-extinction processes? What would the art of a ‘degrowing’ economy look like? What other “ends of the world” are possible?

Having a background in philosophy, my artistic practice is based on creating questions around extinction, excess and exploitation, to which I offer aesthetic answers: “fact-ions”. Through the concept of “fact-ion” (facts+fiction) I acknowledge that true fictions eradicate false reality. My interest in orbiting these questions through aesthetic fact-ions stems from my belief in the existence of spell-images, capable of transmuting the colonial fossils, which as fuels, feed the machinery of extinction.

My work is based on long research processes, both documentary and participatory. Although my pieces start from writing and drawing, and take the form of textiles, performance and video-documentaries, it is in their collaborative and relational aspect that their value resides. Understanding that answers and solutions cannot be obtained individually and in isolation, collaboration, listening and caring play a fundamental role in my projects, in which I raise questions that should be answered collectively.

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