Photo by Damir Žižić
During the intensive with Manuel Pelmuş that revolves around questions of liveness, performativity and movement in an exhibition context, the participants of the second generation of WHW Akademija reflected on questions of politics of embodiment, preservation, visibility, ownership and politics of display in the context of the Kontakt Collection, which comprises mainly historical art works from the former Eastern and Central Europe.
Photo by Damir Žižić
During the intensive with Manuel Pelmuş that revolves around questions of liveness, performativity and movement in an exhibition context, the participants of the second generation of WHW Akademija reflected on questions of politics of embodiment, preservation, visibility, ownership and politics of display in the context of the Kontakt Collection, which comprises mainly historical art works from the former Eastern and Central Europe.
During the intensive with Manuel Pelmuş that revolves around questions of liveness, performativity and movement in an exhibition context, the participants of the second generation of WHW Akademija reflected on questions of politics of embodiment, preservation, visibility, ownership and politics of display in the context of the Kontakt Collection, which comprises mainly historical art works from the former Eastern and Central Europe.
Photo by Damir Žižić
